Title: Valeriy Polekh: French Hornist Laureate of All Russia
Author: David Gladen
Publisher: Workbook Press
ISBN: 978-1960752574
Pages: 248
Genre: Historical Biography
Reviewer: Lily Amanda
Author Interview with David Gladden
Today, Hollywood Book reviewer Lily Amanda is talking with David Gladen, author Valeriy Polekh: French Hornist Laureate of All Russia.
HBR: What first drew you to the life and career of Valeriy Polekh as the subject of this biography?
What initially drew me to Valeriy Polekh’s life was his close friendship with my father-in-law, Jim Decker—a prominent West Coast horn player and honorary member of the International Horn Society. Polekh personally sent his manuscript to Jim for translation, and it was Jim’s encouragement and admiration for Polekh that inspired me to undertake this project. Their unique bond, rooted in mutual respect and musicianship, offered a deep personal lens into Polekh’s story.
HBR: The title refers to Polekh as the “Laureate of All Russia.” Can you explain the significance of that phrase in both a cultural and musical context?
The title “Laureate of All Russia” signifies not only Polekh’s exceptional status as a top-ranking musician in the Soviet Union but also his cultural influence and national recognition. In a society where artistic excellence was highly esteemed yet tightly controlled, to be honored at such a level was both rare and profoundly meaningful. It reflects his mastery of the French horn and his contribution to Russian musical heritage during a transformative period in the country’s history.
HBR: How did you research Polekh’s early life and training, especially considering the Soviet-era archival limitations?
Rather than traditional archival research, much of the insight into Polekh’s early life and training came through his own manuscript and through anecdotes shared by Jim Decker, who had a close relationship with Polekh. Their friendship began during performances involving the Moscow Symphony in Los Angeles and continued with personal visits to Russia, where Jim and his wife were hosted by Polekh himself. These personal connections provided authentic and detailed glimpses into his formative years and professional development.
HBR: Was there a particular performance or recording of Polekh’s that you feel best captures his genius?
One notable performance that stands out is his interpretation of the Benjamin Britten duet for tenor and French horn, which he received during a visit to England and later brought back to Russia to perform. This piece not only showcases the French horn’s lyrical and expressive qualities but also highlights Polekh’s uniquely romantic playing style—a style Jim Decker described as truly born to play the instrument.
HBR: What do you hope readers—especially musicians—will take away from this book?
I hope readers come away with a richer understanding of Russian culture during the Soviet era, as seen through the eyes of a remarkable artist. For musicians in particular, I hope this book introduces the French horn as a beautifully versatile and often underappreciated instrument, while also illustrating the importance of perseverance, passion, and humility in the journey toward artistic excellence.
HBR: If you had to summarize Polekh’s legacy in one sentence, what would it be?
Valeriy Polekh was the top horn player you’ve never heard of—a quiet virtuoso whose passion, resilience, and artistry helped define a generation of Russian music, yet remained largely unknown in the West.
HBR: What do you believe sets Valeriy Polekh apart from other great horn players of his time—both technically and artistically?
What sets Polekh apart is his deeply romantic and expressive style, combined with technical mastery and an unwavering dedication to his craft, indeed born to play French horn. His ability to evoke emotion while maintaining precision made him a standout even among Russia’s finest musicians. Additionally, his broad influence extended beyond the stage—forming friendships with not only fellow musicians but also high-ranking generals and cultural leaders of his time.
HBR: Were there any interviews, letters, or personal artifacts that proved especially illuminating or transformative to your understanding of Polekh?
He was an honorary member of the FRENCH HORN SOCIETY and as well as INTERNATIONAL FRENCH HORN SOCIETY. While there were no formal interviews or archival letters, the manuscript Polekh entrusted to Jim Decker, along with Jim’s personal anecdotes and memories of their encounters—including their visit to Moscow and shared meals—offered profound insight into Polekh’s character, values, and artistic legacy. These personal exchanges proved more valuable than any official document could.